The yr 1910 marks an miraculous, and principally unrecognized, juncture in Western heritage. during this perceptive interdisciplinary research, Thomas Harrison addresses the intense highbrow fulfillment of the time. targeting the cultural weather of heart Europe and paying specific cognizance to the lifestyles and paintings of Carlo Michelstaedter, he deftly portrays the reciprocal implications of alternative discourses—philosophy, literature, sociology, song, and portray. His fantastically balanced and deeply trained research presents a brand new, wider, and extra bold definition of expressionism and exhibits the importance of this stream in shaping the inventive and highbrow temper of the age.
1910 probes the recurrent subject matters and obsessions within the paintings of intellectuals as various as Egon Schiele, Georg Trakl, Vasily Kandinsky, Georg Lukàcs, Georg Simmel, Dino Campana, and Arnold Schoenberg. including Michelstaedter, who devoted suicide in 1910 on the age of 23, those thinkers shared the fundamental issues of expressionism: a feeling of irresolvable clash in human life, the philosophical prestige of demise, and a quest for the character of human subjectivity. Expressionism, Harrison argues provocatively, was once a final, determined try via the intelligentsia to guard probably the most venerable assumptions of eu tradition. This ideological desperation, he claims, was once greater than a non secular prelude to global struggle I: it was once an unheeded, prophetic critique.