In his Beat-like jaunt during the Parisian and eu jazz scene, Mike Zwerin isn't in contrast to Jack Kerouac, Mezz Mezzrow, or Hunter S. Thompson—writers to whom, for various purposes, he owes a few allegiance. What makes him targeted is his devotion to the musicians he idolizes, and a fondness for song that's blessedly contagious.
Many jazz lovers will understand Mike Zwerin for his witty, irreverent, and undeniably hip song reports and articles within the International usher in Tribune that have entertained us for many years. dependent in Paris, or, relatively, caught there, as Zwerin loves to say, he has been a track critic for the Trib since 1979. Zwerin additionally had a distinctive occupation as a trombonist. while he used to be simply eighteen years outdated, he was once invited by means of Miles Davis to play along Gerry Mulligan, John Lewis, and Max Roach within the band that used to be immortalized as The delivery of the Cool.
The Parisian Jazz Chronicles offers a fascinating own account of the jazz scene in Paris within the Eighties and Nineteen Nineties. Zwerin writes lovingly yet unsparingly approximately figures he knew and interviewed— reminiscent of Dexter Gordon, Freddy Heineken, Miles Davis, Bob Dylan, Chet Baker, Wayne Shorter, and Melvin Van Peebles. by contrast historical past, Zwerin tells approximately his personal life—split allegiances to journalism and tune, and to the USA and France, his solitary conflict for sobriety, a failing marriage, and fatherhood.